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A snapshot into our direct-to-disc project with Gary Bartz & Maisha, recorded on Tuesday 29th & Wednesday 30th October 2019 at Artone Studio, Haarlem, The Ne...

GARY BARTZ AND MAISHA
CUT DIRECT-TO-DISC SESSION
FOR NIGHT DREAMER DEBUT (Order Now)

Having cut his teeth playing with the likes of Charles Mingus, Max Roach, Art Blakey and finally in 1970, Miles Davis at the peak of his electric period, Gary Bartz became a leading figure of the early-to-mid 70s spiritual jazz movement, releasing a string of ground-breaking albums on legendary NYC jazz label Prestige Records with his NTU Troop, featuring classics such as “Celestial Blues”, “Uhuru Dance” and “I’ve Known Rivers”, before collaborating on Blue Note Records with the Mizell Brothers on the anthemic jazz funk of “Music Is My Sanctuary”. An oeuvre much loved by soul jazzers and hip hop fans alike.

Led by drummer Jake Long, Maisha have been central to the UK’s jazz explosion, and have fast become the UK’s most exciting and in-demand young spiritual jazz ensemble, from steller shows at Jazz re:freshed, Total Refreshment Centre & Church of Sound and supporting the Sun Ra Arkestra, to releasing their critically acclaimed debut LP, “There Is A Place” on Gilles Peterson’s Brownswood Recordings in 2018. Theirs is an organic & explosive sound that blends influences from afrobeat and broken beat to Persian music, with a deep love and understanding of jazz, particularly the heritage of spiritual jazz led by titans such as Pharoah Sanders, Alice Coltrane and of course, Gary Bartz.

Now the relationship has evolved into a special straight-to-disc recording for Night Dreamer Records, that captures the vitality of their collaboration. Whilst Bartz and Maisha reinvent classic Bartz compositions “Uhuru Sasa” and “Dr Follows Dance”, extending the pieces into long piece improvised grooves, their recording session gave birth to three brand new joint compositions, written the very same day. These include the propulsive “Leta’s Dance” that magically combines the Bartz’ soulful musical lyricism with Maisha’s African-jazz influences, and the organic jazz funk of “Harlem to Haarlem”.

This record really is an event, in and of itself, a meeting of talents, minds, generations and zeitgeist moments, captured in a unique and pure manner. The music does not disappoint, as Maisha have been inspired to reach new heights whilst we find Bartz truly reinvigorated, and both artists in tune to the spirit of the other.

TRACKLIST

Side A

1 HARLEM - HAARLEM 8:25
2 THE STANK 7:35


Side B

1 LETA’S DANCE 8:44
2 UHURU SASA 3:24
3 DR FOLLOWS DANCE 7:13

 
 
 

CREDITS

 
 

GARY BARTZ
SOPRANO SAXOPHONE &
ALTO SAXOPHONE

JAKE LONG 
DRUMS

SHIRLEY TETTEH 
ELECTRIC GUITAR

AL MACSWEEN 
KEYS

TWM DYLAN 
DOUBLE AND ELECTRIC BASS

AXEL KANER-LIDSTROM 
TRUMPET

TIM DOYLE 
PERCUSSION

ALL SONGS PERFORMED
AND PRODUCED BY
GARY BARTZ & MAISHA

RECORDED, MIXED, MASTERED
AND CUT BY
RINUS HOONING & MARTIJN SCHOUTEN @ ARTONE STUDIO, HAARLEM 

EXECUTIVE PRODUCERS
GILLES PETERSON, GEORGE CAMDONIUS
AND NEAL BIRNIE

PHOTOGRAPHY
ELAINE GROENESTEIN

SLEEVE DESIGN
KAI DAMIAN MATTHIESEN

PRESSED AND MANUFACTURED AT
RECORD INDUSTRY 

NIGHTDREAMER.CO.UK
INFO@NIGHTDREAMER.CO.UK
@NIGHTDREAMER_RECORDS

©2020 NIGHT DREAMER LTD

SPECIAL THANKS
TINKU BHATTACHARYYA 

AND EVERYONE AT RECORD INDUSTRY AND ARTONE STUDIO

 

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